The Artist as The Honored: Rights and Titles Fading

WHaT iS RIgHT iFf NONe rETaiNe fOr ThEIr OWnED?

Now is the only moment we have: so let’s not be watered down by non-contributing processes. Someone or a technicality thar urilizes you as a resourse likely won’t remind you that being genuine is the power they do not posses. Own it. Don’t sell short. On the note of straghtup, legit,absolute genuine grace and some swagger in your swing step, even a wretched old metalhead with with death int his treads and nothing certain ahead will apreciate when To not have a reason to lie is freedom. To have nothing left to lose is hunger and if capable is opportunity to set sights for where that hunger drives you so remember,even with nothing but hit song that you know where to still, know your potential or figure it out. The industry works for the artist. Not the other way around. Uncontestable. Absolute.

To often the artist is denied the value of a critical self-reflective challenge — the challenge of determining what their output is worth. The value of yourself communicating with the world through creative outlets casnnot be defined with certainty and this challenge results in expansion of individual identity through a conflict-ridden lense showing the cold reality while providing the opportunity to engage in a vital step toward becoming iconic and memorable through your creation. I can’t put a price on my work. I can produce to standards and compromise on format, but the value of a song playing as someone enters a room — the senses, the reflection, the alignment of that moment — is worth more when it can be experienced rather than labelled and mechanically strangulated into a flatlined universality saturated with the product of competing replicant generator programs. That is what is missing from the process. If what you create has audience and is used, represent your work openly, point out the misuse of what you created, and I would gladly address its worth in a way that surely will see little resistance.

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